Tasso | MySpace

Tasso – Gower
Los Angeles, CA
Produced by Cat Tasso
Engineered & mixed by Manny Nieto at Manny Nieto Studio
Mastered by Mark Chalecki at Little Red Book Mastering

Tasso’s debut EP, Gower, marks frontwoman Cat Tasso’s departure from her previous band, the May Fire. The Chilean guitarist and vocalist, now based in L.A., presents a polished rock EP with the assistance of studio engineer Manny Nieto, known for his work with the Breeders and Darker My Love. Teamed with drummer Franky Martinez, the duo effectively creates a large atmosphere of sound. The result is a collection of controlled freneticism, a display of raw and emotive rock anthems.

Gower opens with Tasso’s robust single, “Don’t Love Me (I Never Will).” Her conversational lyrics work well with the thrashing instrumentation, indicative of the track’s rebellious tone. The song’s steady, pounding rhythm appropriately mimics a beating heart as Tasso sings about a relationship where love is absent. On “Shine,” Tasso introduces vocal harmonies, adding an additional layer of depth from their previous track. Guitar and drums dance around one another in a form reminiscent of the White Stripes or Yeah Yeah Yeahs. It’s unapologetically rock – rough and ready. The passion and fury from the drums, in both Tasso’s recorded work and live performances, can be easily heard on this track. Martinez offers a hard-hitting quality that reverberates with a tight timbre. “Wish I Could Stay” offers a strikingly gentle transition from Tasso’s previous tracks. As the title suggests, the song fits the tone of a lullaby, a bittersweet and quiet conclusion to an otherwise ruckus night. The EP concludes with “Gloomy Days,” a track that exhibits both the volatility and slow shuffle of a stormy day. Solemn vocals sweep across syncopated beats in the verse, leading to a saturated and very harmonic chorus. It’s a haunting end to a heartfelt audio journey.

As a multi-textural expression of emotion, songs often become simplified and more conciseduring the developmental career of an artist. This is evident on Gower, as Tasso’s long experience rocking from clubs to stereos across multiple Americas has led her to create music as raw and chaotically refined as life itself. (self-released)

- Keane Li (more…)

Goldfrapp | MySpace

I recently picked up the special edition release of Goldfrapp’s Seventh Tree. Unlike their other albums, Seventh Tree utilizes more organic, gentle instrumentation, a foray from their previous disco synth-pop endeavors. It’s really the perfect blend of wistfulness and ambience. While several tracks are jovial and bouncy, fans of their previous releases may need some getting used to. It’s more Bowie and Beatles than Madonna or Minogue. Anyway, I love it.

One of my favorite tracks, “Happiness,” comes into my life conveniently as I find myself playing psychologist to a few of my friends. I’m brought back to the days when I was sorting my own mental innards… back when I feel I came upon the secret to true happiness.

A few months ago, a good friend of mine asked me to write an essay on happiness for a book she was publishing. I was in Vancouver at the time and had plenty of time to reflect, so I wrote what I felt to be a good summation of the most important lesson I ever learned. I don’t want to give away the whole essay before it’s published, so here’s a key quotation:

I try my best to discard inaccurate visions of the future and exist in the present. No one knows what will happen, after all. All I can do is stay open for anything. I just have a pretty good feeling about things. That’s what happiness is, I think. It’s high hopes and no expectations…

It’s a blue, bright blue Saturday.

Bat for Lashes | MySpace
Mt Eden Dubstep on YouTube

I promised myself I would do whatever it takes this year to achieve all my goals. Most notable is the desire to push Festizio, my band, as far as it can go: more shows, another studio release and networking with as many people as I can. Music was always what I felt most passionately about so I think it’s important to do this while I can. I’m not so naïve as to think we’ll be around forever. People get married, have kids, move away or go to space. It’s expected and should be encouraged for everyone (going into space more so for some people than others). One year… to move as efficiently and expeditiously as I can in the right direction.

I think we’re off to a good start. We already played a big Yelp Elite Event in Oakland at The New Parish, a new venue opened by the owners of The Independent. We also have two radio appearances and two more gigs coming up in the next few months, including a cool performance at the Chabot Space & Science Center (in the Planetarium, no less).

So, I’m more than happy so far. Unemployed but busy as hell. Time waits for no one. Get busy livin’ or get busy dyin’. Sweep the leg.

By the way, if you want to help me on this lofty mission, please tell your friends, family and pets about Festizio. And please do follow us on Facebook and Twitter. You don’t have to buy anything or perform any sexual favors (unless you want to), but rather share us with the people in your life… especially if they’re record producers.

I just found the last copy of an unreleased acoustic demo I recorded in 2007. I made a few copies and shared it with some friends, folks at the local coffeehouse and my mom. It’s all acoustic and includes three tracks. The first song was only performed once. The last song you may recognize if you’ve ever seen us play or own our studio album. The second song I can guarantee you’ve never heard before.

1.) Today
2.) Til Lights Send Me Home
3.) Beautiful

Let me know what you think in the comments.

What I love most about the guitar is its ability to create something big from relatively little. Unlike literature or painted art, audio physically surrounds the listener. It’s enveloping. And unlike other instruments like the piano, the guitar is unique in that the player has direct manipulation over the strings. New notes and sounds can be achieved via harmonics, slides and bends. You are truthfully the master of the universe that you create.

Rather than selling my soul to the Devil like Steve Vai’s character did in the movie Crossroads, I chose to do it the old-fashioned way like Ralph Macchio. (He is, after all, the Karate Kid.) And while running modal scales proved ultimately useless (I’m pretty sure I’ll never use Lydian), I did pick up a few philosophical lessons on playing and performing that I’ve been re-pondering hours before heading out to load for tonight’s gig at The New Parish.

So, here they are. Five life lessons that can be inferred from the guitar:

1.) Be Light As a Feather | Use the minimal amount of finger pressure while fretting to attain faster playing speed. It’s not how hard you press, it’s how efficiently you move.

2.) Find Your Balance | Relax and focus on what you’re doing now. Keep the future in mind but don’t wander too far or you might get lost.

3.) There Is No Wrong Way | Mistakes are only deviations from your desired path. Push through and don’t let these deviations bring you down or you’ll end up straying more. Don’t sweat the small stuff or you’ll end up drenched.

4.) Be Inspired | When it comes down to it, the goal of pursuing any artistic endeavor is to create something meaningful, expressive and aesthetically profound. Try and hold onto whatever it is that inspires you.

5.) Don’t Forget to Have Fun | Life is short, after all…